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Screenwriter Adam Marcus’s greatest contribution to the world of cinema was as director/writer of the Friday the 13th sequel Jason Goes to Hell: The Final Friday (1993). Director John Luessenhop had previously made the non-genre Lockdown (2000) and Takers (2010). This sequel, which is unrelated to the 2003 remake, comes from a variety of parties, including Millennium Films and their parent company Nu Image who make mostly B-budget action and monster films but in recent years have been behind a bunch of big-screen revivals of 1970s/80s properties with the likes of The Wicker Man (2006), Day of the Dead (2008), It’s Alive (2008), Rambo (2008), The Bad Lieutenant – Port of Call: New Orleans (2009), Conan the Barbarian (2011), The Mechanic (2011), Hellboy (2019) and Rambo: Last Blood (2019). Then came the remake with Marcus Nispel’s The Texas Chainsaw Massacre (2003), which spawned the big 00s fad for remakes of 1970s/80s horror films, which also led to a prequel The Texas Chainsaw Massacre: The Beginning (2006).

New Line Cinema obtained the rights and made the insipid Leatherface: Texas Chainsaw Massacre III (1990), while original co-writer Kim Henkel directed/wrote The Return of the Texas Chainsaw Massacre/The Texas Chainsaw Massacre: A New Generation (1994), which is a better film than the bad rap it usually gets. Tobe Hooper himself was the first to do so with the hilariously black comedy The Texas Chainsaw Massacre 2 (1986), the best of all the follow-ups. When the initial furore surrounding the film died down, the property rapidly became sequelised and remade. Tobe Hooper’s The Texas Chain Saw Massacre (1974) was a landmark of the horror genre and has been enormously influential on an entire generation of filmmakers.

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